Monday, July 2, 2018

Japan 2018



Kyto Sightseeing 

the 26th of June i left Scandinavia to visit Japan. Only real plan to display some works in The Dimlight Artspace in Hiroshima. And to paint a public work in Tokyo. I have been told by people who have been here, that i was to expect to feel like i was on another planet. When travelling i allways look forward to take the train from the airport to the city, on that trip i imeadtly get a feeling on the city, the life the vibe, by scanning the graffiti, that is present by the trackside. Went in the extremely cold airconditioned train put on a warm sweater, sat down turned my head for the window and started to wait. Passing through countryside, countryside rice fields small citys stopping at one station the next and it just kept on going.  All walls by the trackside is clean! All! During a one and half hour train trip going deeper and deeper in to one of biggest citys in the world 37.million people there is no trace of any form of marking. NOT ONE! Not even a trace of something had been cleaned off or buffed? Just Nothing. There is no presence of graffiti-culutre or any kind of scribling or markings here in Japan. not that i have seen so far. For me that is extreme exotic. First i thought it was because the culture havent made the same impact here and nobody really picked the hiphop or graffiti culture op here. But i find that hard to believe. During my stay in Tokyo i was supposed to paint a store front shutter, it was organized by the local Hostel and Artist in recidence called Artnshelter in the Neigborhood, Samezu. My first thought on that was that i was just going to paint it the first day, in a couple of hours, but it soon became really clear that is was a long process to get the go to paint a old rusty small storage builidngs shutter. They wanted to see sketches, they wanted a company logo, wich i refused. I made a sketch that reflected on the story of the  street  where the shop is located. It is one of the most famous routes in Tokyo it is called Kyu-Tokaido.(旧東海道)for more info on that follow this link: https://en.wikipedia.org/wiki/T%C5%8Dkaid%C5%8D_(road)
Finally the day came when i was supposed to paint. And it went fine, untill the owner of the building came by and allmost put an end to it all. But after some talking back and fourth it was ok. 

When going around Tokyo, it all feels like a machine, where all people do exactly what they are supposed to in certain ways, walking, the directions that the arrow shows on the ground, standing in the right line to wait to go on board on the train. Everything is extremely organized, it seems like it. I have noticed a little rebellion, everywhere is says no smoking on the street but walking the back streets you can see scared looking men standing in groups to 5-10 smoking the cigerets like there is no tommorow. Some people even run the red lights on bikes and walking.  But none individual expression saying look at me i exist in the fom of writing in public. Maybe all the has been reduced to social media here, or cos-play? or manga fantasies? I dont know. 
I have learned that there is a small graffit-scene, but they are having a hard time, no legal walls, only secret places and really underground. Sadly havent have enought time to research more on that. 

leaving for Osaka now, after that i will prepare my solo exhibition at Dimlight Artspace Hiroshima. 
More on that soon. 

Following pictures from my stay and trip so far. 
Hope you enjoy. 

one of my markers exploded in the airplane 


electric distrct Tokyo

Japanese Spraypaint. good paint. 

clean Tokyo

clean Tokyo

Painting in clean Tokyo



Finished in clean Tokyo

Leaving clean Tokyo. Going to Kyoto. 

I have been so lucky that my phone stopped working so i have produced a lot of new drawings here at my stay in Japan. 

Monday, June 11, 2018

News 2018


 
The interior of the Tegn:Artspace In Jyderup her seen with the work of Danish Artis Anna Taina-Nielsen


I am sorry for the lack of updates here on my blog. The things go fast with a lot of different and exciting work. As some of you might now i am involved in running the Artist run and non-commercial exhibition space called Tegn:Artspace. Using a lot of energy and time on that. Follow this link: https://www.facebook.com/tegnartspace/ for more about that. Even though i organize and make things happen there have been some time here and there to draw on some walls. 
I will be posting much more in the future. From my soon Travel to Japan and future exhibition projects. 

Below here you can see drawing i did during this years spot-festival in the City of Århus Denmark. 
Hope you enjoy. 

For more go to my Vimeo chanel: https://vimeo.com/user11590512

Stay tuned for more: 


I was invited to paint for this years SPOT-festival

SPOT-festival The finished drawing


SPOT-festival The finished drawing details


SPOT-festival The finished drawing details


SPOT-festival The finished drawing details


SPOT-festival fashion colors :D 


Sunday, April 8, 2018

Documentation from The Cover Group exhibition Copenhagen 2018

Really happy being invited to participate in this group show two months ago in Copenhagen Denmark 







First wall 2018





Monday, February 12, 2018

Current Show at Format Artspace 2018


2018 Has begun and this post is about the current show at The Danish Copenhagen based gallery  Format-Artspace.  Here me and Lars Sarto Hempler made exhibition under our duo name The Flux Capacitor Syndrome project. 

The exhibition is on right now and the last day is the 2.Marts 2018   


The info about the exhibition is here, taken from the Websiste Format:Artspace 
It is Danish. 

I en ny installation undersøger kunstnerduoen Flux Capacitor Syndrome Project, menneskets konstante søgen efter udvikling på godt og ondt – for bliver det der driver vores evindelige higen efter nyt, bedre, større og mere spektakulært i sidste ende også vores undergang? 

Med udstillingen What a Piece of Work is Man peger Flux Capacitor Syndrome Project, der består af de to kunstnere Lars Sarto Hempler og Anders Reventlov, på et af de menneskelige grundvilkår – vores stræben efter mening og vores iver efter at skabe. 
Men hvad sker der, når opfindelser, religion eller politisk konsensus pludselig slår om, og bliver det, der bider os selv bag i, og måske endda fører os lige direkte mod undergangen? Og hvordan kan det være, at selv på kanten af katastrofen formår mennesket alligevel at redde sig selv?  

I et spekulativt dystopisk detektiv-scenarie bestående af spor, kortlægninger og postulater inviteres publikum til at drage deres egne konklusioner om den menneskelige søgen og meningsdannelse.     De to kunstnere har hver især bearbejdet henholdsvis myten om Hyperion – der under titanernes fald måtte vælge om han ville indordne sig under en nye verdensorden eller forgå med det gamle samfund – og utopien forstået som religiøse eksperimenter og sekter, der er dukket op igennem historien. 

  Derefter har de overdraget materialet til hinanden, så begge kunstnere har sat deres personlige aftryk på samtlige værker. Således smelter teorier, myter og historier sammen til en ny fortælling, som kommer til udtryk i kollager, tryk og frem for alt en hvid lyende storskala skulptur – alt sammen indhyllet i et fluorescerende lys.     Om Flux Capacitor Project: Kunstnerduoen, der har taget deres navn efter tidsmaskinen i den legendariske ”Tilbage til Fremtiden”- filmtriologi, har arbejdet sammen siden 2007, hvor de begge tog afgang fra Det Jyske Kunstakademi. Deres udstillingsprojekter er altid store stedsspecifikke installationer, hvor UV-lys og optisk hvidt materiale indgår. De har udstillet i både museums- og gallerisammenhænge – senest i Århus i maj 2017 på det kunstnerdrevne udstillingssted 77_3m med udstillingen ”The Nibiru Cataclysm part 3.All you see is true”. 

As part of our installation and the Exhibition at format-artspace we participated in the Worlds biggest Biennale for Digital art it is called The Wrong Biennale Follow the link for more info and to see our digital exhibition here. You can also hear the sound piece that are playing in the exhibition at formatartspace by following the link: 

Following pictures are from the Exhibition: What a piece of work is man, made by The Flux capacitor Syndrome project. Which consists of Me Anders Reventlov and Lars Sarto Hempler. 

Huge thanks to Format-Artspace Anne Riber , and everybody who came by for the opening. 


































Friday, July 28, 2017

Exhibition Documentation from my Exhibition: Tudo sobre letras, traces of actions. At SE_RUM Exhibition Space in the City of Aarhus Denmark.

Titlen på Anders Reventlovs udstilling i se! "Tudo Sobre Letras" er portugisisk og betyder "det handler om bogstaver". Her viser han en serie tegninger som han selv definerer som spor af handlinger. Handlinger der er stykket sammen og indsamlet på rejser rundt i Europa, i årene mellem 2014 og frem til en uge før udstillingsåbningen.I Anders Reventlovs tilgang til det at skabe kunst, eksisterer det færdige kunstværk ikke, men alt er forbundet. Kun de handlinger som udgør processen, eksisterer. En lille doodle i skitsebogen har lige så stor betydning som det 10 meter høje vægmaleri. Processen er en konstant strøm. Den stopper aldrig. Anders Reventlov arbejder med håndskriftens flow og energi i sine tegninger og bruger materialer typisk knyttet til skrivekunsten, såsom kalligrafiblæk og sprittuscher. I disse søger han at komme så tæt på håndskriftens energi og ekspressivitet som muligt. Tegningerne er spor af handlinger: ”At tegne, at skrive, at handle”